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Mima is captured in a poignant moment, kneeling with a blood-splattered face and a haunting expression that conveys the intense psychological themes of the film

The costumes, done by Judy Ernst, also reflect that some characters are well-to-do while others are simply at the level of the cook. Social status is a common theme during the play, and Suzette, the cook, arrives in a frumpy dress until she is transformed by Robert and Berard to reflect her change in character

Back hem slit

At Eel Marsh House, Arthur is distracted by odd noises, a bolted nursery, and a spectral entity in black funerary garb

Quando Easy la incontra per la prima volta, lei veste di blu: lei il diavolo